You think that the stream will satisfy you, that the browser will enlighten you, that this app will complete you, that those likes will fill you.
I deactivated Facebook.
I haven’t posted a tweet in ten days.
This site is more a museum of me, my posts like exhibits behind panes of glass.
I’ve paralyzed myself as a result, and created a visual space that accommodates just one mode — a single version of me. I’ve left little room for experimentation; I’ve promised a certain experience for my readers. Or maybe this is all in my head, and I overthink things.
Maybe I just need to shut up and write.
You can create your own profile on Medium and Hi and Exposure. But there’s an element of renting out space on these platforms, and I’m reminded of the loft my husband and I just moved out of — one unit within a huge, impersonal condo complex — and our quest to create the exact home we want.
I’ve been wondering what to do with this blog, and I’m leaning toward creating a static front page, pointing to category collections and posts I’m proud of — and moving away from the blog format completely. Preserving the best moments of me, with my posts acting like exhibits in a museum.
A writer who publishes on various platforms on the web is like an animal peeing in different places. I’m simply marking my territory — expanding the Cheri Lucas Rowlands brand far and wide.
What we post in these moments of proclamation on a site like Facebook is a byproduct, a projection. Instead, life happens between status updates.
I guess, deep down, I do enjoy the labyrinthine-ness of the web. I complain about feeling left behind. About not knowing the best ways to do something. But I’ve never really been someone who expects — or wants — to conquer each minute of the day, to be some kind of marvel of productivity.
Then I opened Instagram, ran a filter over it, and posted it — to send it off into the world to be liked and viewed for its moment of glory, and to shortly after join the stream of other Instagrams disappearing into our Internet wasteland.