Since the day I got married, I’ve changed my name on various profiles online and begun to sign my new name on documents and checks. As I mentioned in my last post, changing my name is a big step, and because I sit in front of a computer screen for most of the day, with my various profiles staring back at me, I’m constantly reminded of this change.
But on Twitter, it’s different: favoriting is less about someone else and more about me. The process is about plucking the juicy bits from others’ minds and imaginations and tossing them into a cauldron—a volatile place that mirrors my headspace at any given moment.
Alone, I sobbed. Yet I sobbed with Facebook open—his life revealed and exposed in bits on my screen, his friends spilling tears on his profile. I sobbed at home, by myself, but also with everyone else.
But I’m not interested here in distinguishing what was what in my own timeline. Instead, I’m fascinated by how Facebook Timeline encourages us to map it out for all to see: A visualization of the haphazardness of the cosmos. A digital record of life choices we’ve made.
But my curation of my own history—the deleting of previous status updates, the “featuring” of particular posts—is strange. More so than before, I am able to highlight what is important in my life—or what I want others to view as important—and fill in missing details from today to when I was born.
What have I done? Or the current question: what am I doing now? I read the passionate, desperate tweets from brave protesters on my computer screen. I am deeply inspired, I comment on other’s tweets, I share articles on Facebook. I feel like I’m participating.